Last January 2,2011 is a Museum Day. Starting this year will be the year for Arts, Culture and Travel for me. So why not start the year with some Art Museum. That day we had visited Three Museums in Madrid. MNCARS Museo Nacional Centro de Arte Reina Sofia. Museo Nacional del Prado and La Caixa Forum.
We started with MNCARS but i will give you details of the Paintings of Museo del Prado. The Prado Museum has many Galleries. Works of Goya, Rubens, Durero, Bosco, Tintoretto.El Greco, Fra Angelico and of course works of Diego de Velázquez.
We got the brochure of the museum and we passed by as VIPS. Ben works in Museo del Prado. Then we had visited first the works of Rubens, with 2 big gallery parallel to each other all works of Rubens.
We then get the brochure of the collections of Museo del Prado and each one of these we had visited one by one. And the 3 paintings that i like most are the works of Velázquez.

Apollo in the Forge of Vulcan is an oil painting by Diego de Velázquez completed after his first visit to Italy in 1629. Critics agree that the work should be dated to 1630, the same year as his painting “Joseph’s Tunic“. It appears that neither of the two paintings were commissioned by the king, although both became part of the royal collections within a short time. The painting is currently to be found in the Museo del Prado, Madrid.

Joseph’s Tunic is a 1630 painting by Diego Velázquez, now held in the museum of the Sacristía Mayor del Monasterio de San Lorenzo de El Escorial (Madrid, Spain).
The Monastery of San Lorenzo de El Escorial is a 45 min from the city centre. It has the library and where the Kings tombs are found.

One of the infantas, Margaret Theresa, the eldest daughter of the new Queen, appears to be subject of Las Meninas (1656, English: The Maids of Honour), Velázquez’s magnum opus. However, in looking at the various viewpoints of the painting it is unclear as to who or what is the true subject. Is it the royal daughter, or perhaps the painter himself? The answer may lie in the image on the back wall, depicting the King and Queen. Is this image a mirror, in which case the King and Queen are standing where the spectator stands? Are they the subject of Velazquez’s work? Or is the work simply a court painting? Much is still in speculation about the true subject of this masterpiece, and many of the questions that are asked may never be truly answered.
(some articles courtesy of wikepedia,photos museo del prado)